(April 2020)
BIO
Mit der „Schönheit seiner Stimme“, seinem „formbaren und strahlenden“ Ton und der „Lebendigkeit seiner Darstellung“ begeisterte der mexikanische Tenor Eleazar Rodríguez bereits in zahlreichen großen Partien in Opern von Mozart bis Wagner sowie in mehreren Uraufführungen. In der Saison 2019/2020 gab er sein Haus- und Rollendebüt an der Opera North als Rodolfo in La bohème und debütierte als Don Ottavio (Don Giovanni) am Badischen Staatstheater Karlsruhe, als dessen Ensemblemitglied er sich seit der Spielzeit 2011/2012 kontinuierlich weiterentwickeln und künstlerisch entfalten konnte. In der Spielzeit 2010/2011 war er Ensemblemitglied am Theater Heidelberg.
Gastengagements führten ihn an die English National Opera London, die Oper Frankfurt, die Oper Graz, das Saarländische Staatstheater Saarbrücken, das Theater Luzern, das Konzert Theater Bern, die Michigan Opera Theatre in Detroit und das Fremont Opera House. In seinem Heimatland Mexiko ist er zudem regelmäßig in Konzerten und Liederabenden zu hören, unter anderem am Teatro del Palacio de Bellas Artes in Mexico City.
Die Geschmeidigkeit seiner Stimme und sein temperamentvolles Wesen machen Eleazar Rodríguez zu einem gefragten Interpreten des italienischen Belcanto und so verkörperte er mit großem Erfolg Rollen wie Roberto (Roberto Devereux), Edgardo (Lucia di Lammermoor), Tonio (La fille de régiment), Lord Richard Percy (Anna Bolena), Nemorino (L’elisir d’amore), Tebaldo (I Capuletti e I Montecchi) und Il Conte Almaviva (Il Barbiere di Siviglia). Großen Beifall erhielt er darüber hinaus für seine Darstellung von Tamino (Die Zauberflöte), Belmonte (Die Entführung aus dem Serail), Ferrando (Così fan tutte), Fenton (Falstaff), Cassio (Otello), David (Die Meistersinger von Nürnberg) und Alfred (Die Fledermaus).
Eleazar Rodríguez, geboren in Piedras Negras, war „Plácido Domingo“-Stipendiat der Sociedad Internacional de Valores de Arte Mexicano, Mexikos renommiertestem Programm zur Förderung junger Künstler, und Preisträger der „Carlo Morelli National Competition“ in Mexico City. Nach seinem Abschluss am San Francisco Conservatory of Music wurde er 2009 in das Merola Opera Program der San Francisco Opera aufgenommen.
Reviews
Vaudèmont in Iolanta at Cuvilliés-Theater in Munich
Nous avions déjà fait l’éloge l’an passé du ténor Long Long : cette fois, il joue les premiers rôles, et son Vaudémont est un rêve de musicalité et d’expression, sans qu’il lui soit nécessaire de surjouer les héros romantiques. resmusica.com
The third Prize at Tenor Vinas Singing Contest in Barcelona
…the Chinese Long Long who sang (with a dark voice and a lot of vocal and even gestural expressiveness) Faust's cavatina and the tremendous scene of Roberto in Puccini's Le Villi ('Torna ai felici dì' with the dangerous recitative included) reveals a lyrical tenor with body. < translated by @AIMARTISTS >
Various
…und der chinesische Tenor Long Long, dessen Stimmvolumen an Heldentenöre Richard Wagners erinnert, besangen die sonnige italienische Weise von Liebesbeschreibungen. Überaus expressiv ließ Long mit authentischer Theatralik beim Anbeten der Geliebten in Puccinis Che gelida manina aus La bohème die Gänsehaut frösteln.
Nach einer Arie aus George Bizets Carmen hatte Long Long bei Arien aus Verdis Meisterwerk Rigoletto weitere imposante Auftritte. La donna è mobile schmetterte er mit solcher inbrunst, dass manch ein originaler italienischer Tenor dagegen verblassen dürfte. Memminger ZeitungCONTACT
Repertory
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