BIO
Seit der Spielzeit 2018/19 ist Almerija Delic festes Ensemblemitglied des Staatstheaters Nürnberg. Sie brillierte in Rollen wie Carmen, Eboli (Don Carlo), Judith (Herzog Blaubarts Burg), Preziosilla (Forza del destino), Fenena (Nabucco), Adalgisa (Norma) und konnte ihre stimmliche Vielfalt, Vitalität und auch schauspielerischen Fähigkeiten bestens unter Beweis stellen. Als Mrs Turing feiert sie in der Uraufführung der zeitgenössischen Oper Turing von Anno Schreier einen großen Erfolg. Neue Musik ist ein künstlerischen Schwerpunkt in ihrer steilen Karriere.
Mit Engagements im Jungen Ensemble des Staatstheaters Mainz, am Theater Osnabrück, Theater Lüneburg, Magdeburg und am Theater Dortmund legte sie den Grundstein für ihre künstlerische Entwicklung. Gastengagements führten die Mezzosopranistin zuvor u.a. an das Staatstheater Kassel, zu den Schwetzinger Festspielen (mit dem Stück Re:igen von B. Lang), an die Deutsche Oper am Rhein, das Staatstheater Meiningen, das Theater Heidelberg, das Theater Kiel, zu den Eutiner Festspielen, als Ottavia (L’Incoronazione di Poppea) zum Festival Ars & Musica Antiqua, als Zia Principessa (Suor Angelica) nach Graz, zum NOW Festival der Philharmonie Essen, in die Zeche Zollverein und die Mercatorhalle Duisburg, zu der Kammeroper Schloss Rheinsberg sowie den Ludwigsburgern Festspielen.
Almerija Delic ist in Brcko Bosnien Herzogowina geboren. Sie studierte Gesang an der Diplomhochschule Mainz und Folkwang Hochschule Essen. Sie war Stipendiatin u.a. des Forum Tiberius, Villa Musica, Richard Wagner Stipendienstiftung und der Walter-Kaminsky Stiftung.
(Dezember 2022)
Reviews
Vaudèmont in Iolanta at Cuvilliés-Theater in Munich
Nous avions déjà fait l’éloge l’an passé du ténor Long Long : cette fois, il joue les premiers rôles, et son Vaudémont est un rêve de musicalité et d’expression, sans qu’il lui soit nécessaire de surjouer les héros romantiques. resmusica.com
The third Prize at Tenor Vinas Singing Contest in Barcelona
…the Chinese Long Long who sang (with a dark voice and a lot of vocal and even gestural expressiveness) Faust's cavatina and the tremendous scene of Roberto in Puccini's Le Villi ('Torna ai felici dì' with the dangerous recitative included) reveals a lyrical tenor with body. < translated by @AIMARTISTS >
Various
…und der chinesische Tenor Long Long, dessen Stimmvolumen an Heldentenöre Richard Wagners erinnert, besangen die sonnige italienische Weise von Liebesbeschreibungen. Überaus expressiv ließ Long mit authentischer Theatralik beim Anbeten der Geliebten in Puccinis Che gelida manina aus La bohème die Gänsehaut frösteln.
Nach einer Arie aus George Bizets Carmen hatte Long Long bei Arien aus Verdis Meisterwerk Rigoletto weitere imposante Auftritte. La donna è mobile schmetterte er mit solcher inbrunst, dass manch ein originaler italienischer Tenor dagegen verblassen dürfte. Memminger Zeitung
Samson et Dalila
Le nozze di Figaro
Samson et Dalila
Le nozze di Figaro
Carmen
Falstaff
Hänsel und Gretel
Turing
CONTACT
Repertory
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